I have recently been looking back at the title sequence for Wire In The Blood, the drama was similar to Fracture and the title sequence intrigued me with it's organic flame textures and wipes. It is what initially gave me the idea for my title sequence and the style I wanted to try with my rorschach ink blots effects.
That title sequence was actually generated using a custom developed Artificial Life engine that rendered trails of pixels as they move and interact with each other. It was put through After Effects to enhance it. It was made years before this sort of software was common, Golan Levin's pixel accretion artworks (Flong) are a similar idea.
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